All Film, Always

I’m endlessly curious about what film can do, Film isn’t one look to me—it’s a whole collection of ways to see. On any given day, I might have seven cameras within arm’s reach—and somehow they all have a job.

I work across different cameras, film stocks, Polaroid, and Super 8, choosing each for its particular texture, color, imperfection, or feeling. I’m chasing all the different ways analog photography can interpret the same world.